Confessions of a Chorus Member - John Anderton

For over 40 years I have had the privilege of singing in the Edinburgh Festival Chorus and performing with such distinguished soloists as Janet Baker, Placido Domingo, Dietrich Fischer-Dieskau, Luciano Pavarotti, Jessye Norman, Jose Carreras and many others. It is always a great thrill to sing with such distinguished soloists and to have the opportunity of talking with them during breaks in rehearsals.'

My recent experience during the 2011 Edinburgh Festival added a new dimension to this experience. I was enthralled and captivated by Erin Wall at the Thaïs rehearsal in Glasgow and during the performance in the Usher Hall in August 2011.

The chorus had introduced her with...

Thaïs. soeur des Karites         (Thaïs, sister of Karites
Rose d’Alexandrie                  Rose of Alexandria
Belle silencieuse                      Fair and silent
Thaïs, tant désirée                  Thaïs, much desired
Thaïs, Thaïs, Thaïs.                Thaïs, Thaïs, Thaïs) 

Thaïs has decided to ditch poor Nicias and Erin Wall sang her farewell to him with such feeling and purity of sound:

C’est Thaïs, l’idole fragile           (Thaïs, the frail idol

qui vient pour la derière fois       comes for the last time

s’asseoir à la table fleurie.          to sit at your flower strewn table.

Demain, je ne serai pour toi       Tomorrow I shall be for you

plus rien qu’un nom.                   no more than a name.)

This was the first of a number of overwhelming emotional moments in the opera which was an unforgettable experience. Many months or rehearsal had paid off, and what a privilege it was to be on the same stage as Erin Wall, the other soloists, and the RSNO conducted by Sir Andrew Davis.

But my encounter with Erin Wall was not over! Encouraged by Lorraine I ventured to her dressing room and waited for her to sign autographs. Erin graciously allowed a photograph of myself with her and no doubt she will use this to further her career on the operatic stage!

As we said ‘goodbye’ I remembered Thaïs’s moving duet with Athanaël:

Baigne d’eau mes mains et mes lèvres     (Bathe my hands and lips with water
donne ces fruits, donne ces fruits             give me this fruit, give me this fruit
Je t’appartiens, ma vie est à toi.              I belong to you, my life is yours)

A night to remember!

If you want to become part of the Edinburgh Festival Chorus, come join us at our Open Rehearsal on Tuesday 25 October. For more details see here.

East Meets West: Close Encounters of a Cultural Kind

By Mateusz Jazdzewski

Sir Roger Norrington

This year’s Edinburgh International Festival deals with the meeting of two cultures – east and west. Elements of the programme, curated by Festival Director Jonathan Mills, could be viewed as challenging the tastes of audiences often perceived to be euro-centric. However sceptics may come across a surprising revelation – that western culture’s love of the east is not in fact a novelty but has been happening over hundreds of years.

The first encounters between European and Oriental cultures can be found in ancient Greece, when philosophy and art began to mingle its ideas with the heritage of conquered cultures such as Persia, Mesopotamia and Egypt. But the real flourishing in the fashion for orientalism took place in the 18^th and start of the 19^th centuries – a cultural phenomenon resulting from colonial expansion in the east. European travellers made grand tours to the Middle East, Africa, China and beyond and those artists now known as the Romantics began to focus their work on the unknown exoticism of the east.

Tomorrow’s Opening Concert sets the tone for the rest of the Festival with Robert Schumann’s Das Paradies und die Peri, performed by the Scottish Chamber Orchestra and conducted by Sir Roger Norrington. The oratorio is based on Thomas Moore’s tale Lalla-Rookh, the beautiful myth of the fallen angel Peri who tries to re-enter paradise by finding the gift held dearest by the gods. It is one of the brightest musical examples of 19^th century European orientalism, blending the European aesthetic with eastern poetry. So successful was the fusion of these factors that the piece became one of Schumann’s greatest successes.

Das Paradies und diePeri seems the perfect choice for the Festival 2011 Opening Concert, with the spellbinding music providing the soundtrack as we begin to consider relations between east and west and the changes they have experienced over the years and the centuries.

The piece was written at a time when Europe was expanding and often imposing its own rules and traditions on conquered lands, but for contemporary audiences it also reflects the desire of this year’s Festival programme to present the beliefs and achievements of other cultures with curiosity and respect. And the value of showcasing Asian art on the European stage can also be seen not only as artistic but political, as we reassess the role of our continent on the world stage. Through shared art and culture, 21^st-century Europe, and indeed the whole world, can promote and understand the shifting parameters of the global landscape.

Das Paradies und die Peri
Robert Schumann

Scottish Chamber Orchestra
Sir Roger Norrington Conductor
Edinburgh Festival Chorus

Tickets available from eif.co.uk/opening or 0131 473 2000